Chicago Artists Took Over A Whole Train Line With A #BlackLivesMatter Protest

As Black Lives Matter protests have captivated the nation over the past month, artists in Chicago used a different kind of medium to shed light on America’s racial divide. And they took over a whole train line on Friday to do it. A group of more than 100 artists gathered at a downtown train station just before the 5 p.m. rush hour commute, boarding every Red Line train in both directions to demonstrate with signs, chants, and performances. According to spoken word artist and activist Ayinde Cartman, the protesters were met with a range of responses. Some train riders simply put in their headphones or avoided eye contact, while others took part in chants and a few even asked how they could be a part …

As Black Lives Matter protests have captivated the nation over the past month, artists in Chicago used a different kind of medium to shed light on America’s racial divide.

And they took over a whole train line on Friday to do it. A group of more than 100 artists gathered at a downtown train station just before the 5 p.m. rush hour commute, boarding every Red Line train in both directions to demonstrate with signs, chants, and performances.

According to spoken word artist and activist Ayinde Cartman, the protesters were met with a range of responses. Some train riders simply put in their headphones or avoided eye contact, while others took part in chants and a few even asked how they could be a part of future demonstrations.

The goal of organizers, according to a news release, was to “creatively and peacefully engage train riders who may otherwise be distracted our checked out, particularly as many move onto their holiday break.”

“The intention was to disrupt, and in the most productive and constructive way possible,” Cartman told HuffPost. “We were trying to include you, rather than separate you from the movement. On the train, folks didn’t have a choice but to experience it.”

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Photos by Katie Graves and Ryan Scholl.

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This young poet blew my mind!! #traintakeover #thorndaleisnext #blacklivesmatter

A video posted by Kristen Kaza (@kristenkaza) on

Cartman was joined by other artists and organizers including event producer Kristen Kaza, playwright Ike Holter, musicians Rico Si and Charlie Coffeen and activist Kay Hubbard.

The demonstrations weren’t just related to police-involved civilian deaths. Cartman performed two pieces as part of the protest, one commenting on how a lack of access to fresh, affordable food impacts black communities on the south and west sides of Chicago. In another piece, he addressed the prison-industrial complex.

“Most people are suffering and some people are not, and we can’t let that slide, like this isn’t a part of what our society is designed to be like,” Cartman said. “Our goal was to bring the things we love to the table to demand and strongly, strongly suggest a societal transformation.”

The demonstration was peaceful, and organizers say they plan to organize another similar event to take place sometime in January.

Below, more photos of the Friday demonstration:

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He had so much dope stuff to say. #TrainTakeover #blacklivesmatter

A video posted by Tiffany Renee Johnson (@tiffanyreneej_) on

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Chicago Artists Took Over A Whole Train Line With A #BlackLivesMatter Protest

On the "A" w/Souleo: Rev. Jesse Jackson Takes on Silicon Valley

For anyone who thinks it is poor timing to host an economic summit focused largely on increasing diversity in Silicon Valley during a climate of protests against police brutality, here is a rebuttal: the two are connected, according to Rev. Jesse Jackson. The civil rights leader is gearing up for his 18th Annual Rainbow PUSH Wall Street Project Economic Summit taking place January 13 to January 15, 2015 in New York City. For him the recent demonstrations following the deaths of Michael Brown and Eric Garner represent frustrations with numerous societal injustices. Rev. Jesse Jackson/Credit: Margot Jordan/Courtesy: Rainbow Push Wall Street Project “Some of the anxiety around the marches has to do with disparity gaps in economics, education…

For anyone who thinks it is poor timing to host an economic summit focused largely on increasing diversity in Silicon Valley during a climate of protests against police brutality, here is a rebuttal: the two are connected, according to Rev. Jesse Jackson.

The civil rights leader is gearing up for his 18th Annual Rainbow PUSH Wall Street Project Economic Summit taking place January 13 to January 15, 2015 in New York City. For him the recent demonstrations following the deaths of Michael Brown and Eric Garner represent frustrations with numerous societal injustices.

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Rev. Jesse Jackson/Credit: Margot Jordan/Courtesy: Rainbow Push Wall Street Project

“Some of the anxiety around the marches has to do with disparity gaps in economics, education and the justice system,” he said. “Some of the marchers are in the 99 percent and have student loan debut, credit card debt, lost their homes to banks or need a higher wage. They want a computer science degree and to get a job when they graduate. It is all part of the same struggle.”

At the core of the summit is what Jackson hopes people will realize to be the influence of the Black dollar. By 2015, the buying power of African-Americans is expected to reach $1 trillion. Jackson believes it is crucial to leverage that power for greater economic and political justice.

“When we were fighting to use the restroom we were fighting for basic decency. Dr. Martin Luther King said ‘Many of our freedom allies may not be our economic allies and fight for us to get our fair share of supplies,'” he recalled. “We have to build a different consistency.”

Recently Jackson has met with Apple CEO Tim Cook and Microsoft CEO Satya Nadella in the hopes of forging partnerships that will lead to Silicon Valley leaders investing more resources to address the racial and wealth gap in the high-tech sector.

“There is nothing in Silicon Valley we cannot do,” said Jackson. “It’s not that they can’t find Black and Brown people doing this, it’s that they are not looking in the right places. If you really want Black engineers then invest in having that taught in schools. It is not at a talent deficiency, it is an opportunity deficiency.”

Historic Negro League baseball site is granted new reason for hope

Hinchliffe Stadium, where Negro League baseball thrived is one step closer to being returned to its former glory. Last week Congress passed the National Defense Authorization Act (NDAA) that would guarantee the site’s preservation and protection by being included in the Great Falls National Historical Park system. President Obama is expected to sign the bill into law on or before December 22.

“We expect that this law will be a catalyst for ongoing preservation efforts and assist the City of Paterson, NJ and stakeholders to raise non-federal funds for its renovation,” wrote Tom Cassidy, vice president for government relations and policy at the National Trust for Historic Preservation (NTHP).NHTP identified the stadium as a national treasure in 2010.

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Hinchliffe Stadium/Courtesy: Duncan Kendall

While the situation is looking more positive for Hinchliffe Stadium, the bill does have some disturbing news. One provision will allow for lands from Tonto National Forest to be used for mining purposes under private ownership, thereby threatening the sacred sites of Indian tribes. Terry Rambler, the chairman of the San Carlos Apache Tribe could not be reached for comment.

A bilingual mural opens door to conversation on language, culture and identity

A discussion that was billed as one about language and culture quickly delved into issues of identity and race. The event was presented in partnership between Pratt Institute and the Schomburg Center for Research in Black Culture, and featured the award-winning mural, “Plata or Plomo (Money or Lead),” created by Pratt alum Eduardo Palma. During the reception, hosted by Hennessy V.S., Palma led guests in experiencing his interactive installation as they peeled away its outer layer to reveal the work underneath that addresses the dichotomy of rich and poor societies.

Following was a discussion with Palma, writer and Pratt Associate Professor of Creative Writing Ellery Washington, and acclaimed visual artist Shantell Martin. Maria Hinojosa, anchor and executive producer of the National Public Radio show “Latino USA” served as the moderator. Check it out here.

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The weekly column, On the “A” w/Souleo, covers the intersection of the arts, culture entertainment and philanthropy in Harlem and beyond and is written by Souleo, founder and president of event/media content production company Souleo Enterprises LLC.

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On the "A" w/Souleo: Rev. Jesse Jackson Takes on Silicon Valley

WTF Is Mistletoe, Anyway?

Remember when you found out Santa wasn’t real, or when you were old enough to realize just how implausible it is for a reindeer to fly? Well, there’s more: Mistletoe isn’t exactly the romantic symbol of the holidays that you think it is. Perhaps you already knew this. But if you didn’t (or if you missed writer Robb Dunn’s in-depth report on the evolution of the Christmas tradition), here’s the gist: While there are historical explanations for why humans tend to kiss under mistletoe—a history of gods, demons, luck and a little lust—the evolutionary story of these plants with their sticky fruits and parasitic ways is more interesting. If this evolutionary story has a moral, it is complicated. …

Remember when you found out Santa wasn’t real, or when you were old enough to realize just how implausible it is for a reindeer to fly? Well, there’s more: Mistletoe isn’t exactly the romantic symbol of the holidays that you think it is.

Perhaps you already knew this. But if you didn’t (or if you missed writer Robb Dunn’s in-depth report on the evolution of the Christmas tradition), here’s the gist:

While there are historical explanations for why humans tend to kiss under mistletoe—a history of gods, demons, luck and a little lust—the evolutionary story of these plants with their sticky fruits and parasitic ways is more interesting. If this evolutionary story has a moral, it is complicated. On the one hand, mistletoe is a fruit of war, albeit one among trees. Let’s ignore that symbolism though, whatever it might mean for the holiday season. On the other hand, mistletoe is a measure of how many of the fruits in our daily lives, be they literal or figurative, depend on other species. We depend on the mistletoe for tradition.

So there is something to be said about mistletoe as a holiday tradition, but what’s the deal with its “parasitic ways” and why is this creepy-looking bush specifically associated with Christmas? We went to another expert, Sylvia Stone Orli, a botanist at the National Museum of Natural History for answers. Here’s what she told us:

There are different types of mistletoe and they’re related to sandalwood.
“The Old World genus of mistletoe is Viscum; the European mistletoe species is Viscum album. Viscum was originally thought to be distinct enough to merit its own family, Viscaceae, but recent genetic analysis has placed it in the family Santalaceae, the Sandalwood family. Another member of the Santalaceae family, Phoradendron leucocarpum, or eastern mistletoe, also belongs in the Santalaceae family. The two mistletoe species are similar to each other, but differ in leaf shape and berry cluster.”

“Christmas mistletoe” originated in Europe.
“Mistletoe has a long history in Europe, and has long been part of the mythology that it can protect the population from harm by chasing away demons, heal wounds, cure epilepsy, prevent fire and a host of other magical powers that make it sacred. The widespread adoption of Christianity in Europe around the 3rd Century AD incorporated this veneration for mistletoe. As mistletoe came to represent fertility, kissing under a sprig of mistletoe became a tradition of Christmas, in addition to the tradition of burning the Yule log on Christmas Eve.”

Mistletoe isn’t only a winter plant…
“Mistletoe holds on to its leaves in the winter and has a yellow/green hue that make it striking again the gray background of its host. In addition, the berries tend to mature in early winter. Therefore it can be considered a winter plant, although it is no more of a winter plant than any other that retains its leaves in the cold months.”

…In fact, it’s found in many warm-weather climates as well.
“Phoradendron is most often found in the warm temperate and tropical regions of North and South America, including the Amazon rainforest. There are other species of Phoradendron in the United States – P. californicum, or desert mistletoe is found in Northern Mexico and the southern regions of Arizona, California and Nevada. This species has been used by native peoples for its fruit, possibly as a hallucinogen, but is also beloved by the phainopepla, the silky flycatcher.”

Mistletoe berries are toxic… sometimes.
“My favorite fact about mistletoe is that although, hemiparasitic, it does not depend on the host for the output of its chlorophyll, but instead relies on the host as a water source. Therefore it does not kill the host unless the infestation is heavy. Here’s another fact: The species of the host can determine the toxicity and edibility of the mistletoe berries.”

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WTF Is Mistletoe, Anyway?

NYPD Union Has Attacked Every Mayor In Recent History

After the murder of two NYPD police by a man with a lengthy criminal history, NYC Patrolmen’s Benevolent Association president Pat Lynch said Mayor Bill de Blasio had blood on his hands. Previously, the union had sought to have the mayor banned from the funerals of police killed in the line of duty. The union said the request was made because of de Blasio’s “consistent refusal to show police officers the support and respect they deserve.” But there hasn’t been a mayor, Republican, Democrat or Independent, in at least the recent past who hasn’t been met with scorn by the powerful police …

After the murder of two NYPD police by a man with a lengthy criminal history, NYC Patrolmen’s Benevolent Association president Pat Lynch said Mayor Bill de Blasio had blood on his hands.

Previously, the union had sought to have the mayor banned from the funerals of police killed in the line of duty.

The union said the request was made because of de Blasio’s “consistent refusal to show police officers the support and respect they deserve.”

But there hasn’t been a mayor, Republican, Democrat or Independent, in at least the recent past who hasn’t been met with scorn by the powerful police union.

As former New York Times reporter David Firestone pointed out in a series of tweets:

At least the last four administrations, spanning nearly 25 years, have faced heavy criticism from the PBA.

For his part, de Blasio has asked that all protests against the killing of unarmed African-American men by police officers be suspended until after the funerals of the slain NYPD officers.

“It’s a time to step back and just focus on these families,” he said. “I think it’s a time for everyone to put aside political debates, put aside protests, put aside all of the things that we will talk about in due time. In the coming days, as two families prepare for funerals and figure out how to piece their lives back together, that should be our only concern: How do we support them?”

De Blasio’s police commissioner, Bill Braton said the mayor had lost the trust of “some” of his officers. Braton’s comments came after NYPD officers turned their back on the mayor following a visit to Woodhull Hospital, where the two fallen cops were pronounced dead Saturday.

“I think he has lost it with some officers,” Bratton said. “I was at the hospital when that event occurred…. I don’t support that particular activity, I don’t think it was appropriate, particularly in that setting, but it’s reflective of the anger of some of them.”

De Blasio angered the police union after he admitted that he had to train his bi-racial son to be extra careful during interactions with police.

“What parents have done for decades who have children of color, especially young men of color, is train them to be very careful when they have a connection with a police officer,” de Blasio said. “It’s different for a white child. That’s just the reality in this country.”

Previous research has shown that black men are 21 times more likely to be killed by police than their white counterparts.

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NYPD Union Has Attacked Every Mayor In Recent History

Rep. Peter King: Obama Can Start Fixing Race Relations By ‘Giving Praise To The Police’

WASHINGTON — Rep. Peter King (R-N.Y.) is laying the blame for the shooting of two New York City police officers at the feet of President Barack Obama and New York Mayor Bill de Blasio (D), saying that they have created an anti-police atmosphere that encouraged shooter Ismaaiyl Brinsley. “This climate is attracting the mad men in society and also giving a legitimacy to these violent protesters,” said King during an interview Monday morning on Fox News, also noting that he did not think Obama and de Blasio were fostering such an atmosphere intentionally. The congressman then added that it was now up to the two Democratic officials…

WASHINGTON — Rep. Peter King (R-N.Y.) is laying the blame for the shooting of two New York City police officers at the feet of President Barack Obama and New York Mayor Bill de Blasio (D), saying that they have created an anti-police atmosphere that encouraged shooter Ismaaiyl Brinsley.

“This climate is attracting the mad men in society and also giving a legitimacy to these violent protesters,” said King during an interview Monday morning on Fox News, also noting that he did not think Obama and de Blasio were fostering such an atmosphere intentionally.

The congressman then added that it was now up to the two Democratic officials to say something nice about the police, which would help heal race relations in the United States.

“Right now I think it’s important for the president and the mayor, if they are serious about healing what they believe is this rift — or this feud if you will, this chasm, in race relations — for them to come out and start giving praise to the police,” said King. “Say the police have done more to save minority lives than anyone in this country. The police do a phenomenal job under tough circumstances. Yes, there can be improvement. There also has to be improvement among the leaders in the minority communities.”

Brinsley shot his former girlfriend in Maryland before heading up to New York and killing NYPD officers Wenjian Liu and Rafael Ramos. Before his rampage, Brinsley put a photo on Instagram, threatening to put “wings on pigs today” and adding the hashtags that have been used to support Michael Brown and Eric Garner, two unarmed black men whose deaths at the hands of police officers have sparked national protests in recent months.

It seems unlikely that King’s suggested solution will heal racial tensions in America. After all, Obama and de Blasio have repeatedly praised the hard work of police officers and spoken out against retaliatory violence. They have also, however, acknowledged grievances from protesters, many of them in the black community, who often feel unfairly targeted by law enforcement. King’s remarks, on the other hand, seem to imply that the gap has been created by only one side.

Immediately after a grand jury decided on Nov. 24 not to indict Ferguson police officer Darren Wilson in the shooting death of Michael Brown, an unarmed black teenager, Obama urged calm and restraint from both the protesters and the police. He also praised the hard work of police officers:

Understand, our police officers put their lives on the line for us every single day. They’ve got a tough job to do to maintain public safety and hold accountable those who break the law. As they do their jobs in the coming days, they need to work with the community, not against the community, to distinguish the handful of people who may use the grand jury’s decision as an excuse for violence — distinguish them from the vast majority who just want their voices heard around legitimate issues in terms of how communities and law enforcement interact.

On Dec. 1, after Obama met with law enforcement, civil rights activists and faith leaders about how communities can better work with law enforcement, he made similar comments:

We also heard law enforcement and were reminded of what a tough job it is to be in law enforcement. Whether you’re in a big city or in a small community, as Eric Holder put it, police officers have the right to come home. And if they’re in dangerous circumstances, we have to be able to put ourselves in their shoes and recognize that they do have a tough job. I don’t think those realities are irreconcilable.

During a Dec. 5 interview with BET, Obama also praised police officers who have to do a “really tough job”:

The vast majority of law enforcement officers are doing a really tough job, and most of them are doing it well and are trying to do the right thing. But a combination of bad training, in some cases; a combination in some cases of departments that really are not trying to root out biases, or tolerate sloppy police work; a combination in some cases of folks just not knowing any better, and in a lot of cases, subconscious fear of folks who look different — all of this contributes to a national problem that’s going to require a national solution.

On Dec. 4, de Blasio praised the NYPD for how it dealt with peaceful protests after the Garner grand jury decision:

Overwhelmingly, the demonstrations were peaceful, and I want to say, the response by the NYPD was exactly the right one. It was smart, it was strategic, it was agile — a lot of restraint was shown. When necessary, arrests were made. But you saw a very peaceful night in New York City. Despite the frustration and the pain that so many people are feeling, you saw a peaceful protest. You saw a minimum of disruption. I give credit to everyone involved, but I particularly give credit to the NYPD for having managed the situation so appropriately. … All of us have such respect for the work our police do. It’s the basis, again, of a democratic society that our police keep order, and allow a democratic society to function.

De Blasio also cautioned protesters to remain peaceful after meeting with Justice League NYC on Dec. 19:

This is what our democracy allows for, is people to make their voices heard peacefully, in an organized way — and that’s what this group and others have been doing. I made very clear that we cannot accept any violence against our police officers or against anyone.

In addition to Obama and de Blasio, some conservatives have also been blaming Attorney General Eric Holder for fanning the flames that led to the shooting of Liu and Ramos. On Saturday, former New York Gov. George Pataki (R) tweeted, “Sickened by these barbaric acts, which sadly are a predictable outcome of divisive anti-cop rhetoric of #ericholder & #mayordeblasio. #NYPD.”

But de Blasio has been feeling the anger most directly. Pat Lynch, the president of the largest police union in New York City, said “the office of the mayor” had “blood” on its hands. A group of NYPD officers turned their backs on de Blasio when he visited the hospital where Liu and Ramos were taken.

On Sunday, however, a relative of Ramos said the mayor would be welcome both at the funeral and at the family’s home.

During a press conference Monday, de Blasio asked New Yorkers to thank a police officer, and he also called for a halt on protests until the officers are laid to rest.

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Rep. Peter King: Obama Can Start Fixing Race Relations By ‘Giving Praise To The Police’

How Critics Got the New ‘Annie’ Wrong

This weekend saw the opening of a type of film exceedingly rare in our nation’s cinema history: a wide-release kid’s movie with an African-American girl as the protagonist. (Akeelah and the Bee and Princess and the Frog are pretty much the film’s only peers, though 2015 will add Home to the tiny list). That was reason enough for me and my daughter to be excited about the new remake of Annie. (As my daughter put it, “She has hair like me!”) But the critics have (somewhat eagerly) piled on to tell you to not see the movie. The level of dismay, disappointment, even venom seems surprisingly high, with a Rotten Tomatoes critic’s score of 29. Many wanted the movie to be a “statement” film, …

This weekend saw the opening of a type of film exceedingly rare in our nation’s cinema history: a wide-release kid’s movie with an African-American girl as the protagonist. (Akeelah and the Bee and Princess and the Frog are pretty much the film’s only peers, though 2015 will add Home to the tiny list). That was reason enough for me and my daughter to be excited about the new remake of Annie. (As my daughter put it, “She has hair like me!”)

But the critics have (somewhat eagerly) piled on to tell you to not see the movie. The level of dismay, disappointment, even venom seems surprisingly high, with a Rotten Tomatoes critic’s score of 29. Many wanted the movie to be a “statement” film, a burden often foisted on films featuring people of color (as opposed to, say, Penguins of Madagascar). Christian Science Monitor sniffs that the movie doesn’t investigate the class divide. Meanwhile, New York magazine complains that the movie failed to create “a powerful new myth with a particular African-American slant,” adding that the “black angle” is neutralized.

It is strange to expect a wish-fulfillment story like Annie (no matter which version) to offer trenchant commentary on anything, and especially unsettling when a critic born in the Jim Crow era decrees that actors of color must still deliver some specific “black angle” in 2014. While I acknowledge that this film isn’t without flaws, I also think these reviews obscure the fact that the film has things to offer if you accept it for what it is: the Annie tale told in ways that kids today might relate to.

There are a lot of good reasons to see this film (and not just that the lead is played by a girl with her natural curls flying like a flag of pride). When we saw Annie, my daughter, her friends, and the dads and moms in the audience left the theatre talking about what so many critics have glossed over: the reasons you should see the movie.

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  1. “Tomorrow” gets a fresh spin. In the hands of director Will Gluck, “Tomorrow” becomes not just an optimistic anthem but a clever cinematic device for showing Annie’s emotional backstory. Wallis sings it simply, while she passes imagined images of family everywhere she goes. A father and child seen reflected in a shop window turn out to be a worker lifting a bucket; backpackers become parents with baby carriers in Annie’s mind. Instead of a lung-busting belter, it’s a subtle, sweet way to show her interior life.
  2. Wallis nails it. Sometimes Annie leads can be — how to say this gently — a bit stage-y: self-consciously plucky and awash in razzmatazz. Wallis shrugs those tics off. She has a presence that engages effortlessly and boasts a quiet ability to deliver joy, pain, doubt, amusement, knowingness, and worry without histrionics or age-inappropriate Ethel-Merman-style vocals.
  3. The graduation anthem of the future has arrived. There are a number of new songs on the soundtrack (not all equally successful) but the showpiece of this movie is “Opportunity.” In a heartfelt solo anthem, Annie sings of seeing her chance but knowing that it’s “only part luck,” which means she has to step up and deliver her best. It’s a sentiment worth noting and repeating for an entitled generation.
  4. It avoids the “only” syndrome. One reason movies with leads of color get saddled with such high expectations is that often there is a single character tasked with representing all people of color. But in this Annie, not only are both the adult and child leads African-American, we see people of color in every setting, from her foster home to a Guggenheim gala, playing both heroes and villains in the diverse world of a movie about family, not race.
  5. Any time Jamie Foxx gets to sing in a movie, it’s a good thing: Wallis has the ability to sing with heart in ways that suit her character well, but the most accomplished vocals here belong to Foxx. Yes, he gets trapped singing in a helicopter at one point, but he has a killer voice and the charisma to go with it, nailing two new pop ballads. (The soundtrack is half showtune, half pop.)
  6. The movie is touching without being sappy. The song “Maybe” has always had tear-jerking potential and so does the ending, but both are handled deftly. “Maybe” is sung by all the girls in the foster home with choreography that includes flashlight fireflies and a hand-clapping game that keep it light and sweet, heartfelt without being cloying. And the ending (happy, obviously) punctuates sentiment with flashes of humor.
  7. It’s the birth of a comedian. The movie’s scene-stealer is Stephanie Kurtzuba, an actress previously known for roles in dramas like Wolf of Wall Street and TV’s The Leftovers. Her small role in Annie shows someone fully committed to a fairly silly character and destined to now be tapped for more comedy.
  8. It’s a good film for chosen families. Annie has long been a touchstone for many adoptive families: it acknowledges the pain of missing birth parents while also showing the power of choosing who you love. The chemistry between Foxx and Wallis buoys the bond between Stacks and Annie, a reminder that not all families start from biology. (This may be as close as the film gets to making a “statement.”)
  9. Annie stays a little girl. Annie and her friends are not sexualized in attire or attitude; she doesn’t have a little boyfriend or love interest; and she never starts wearing make-up or straightening her hair to signal her growing maturity. Start to finish she remains a kid, which in itself is refreshing and all too rare in the media of the moment.
  10. It’s just fun. My daughter and her friends had a blast. They loved following Annie’s race through the city on foot, subway, and bicycle, as well as the over-the-top “Smart Apartment” scenes (like walls that project whatever you’re thinking), and the running joke of Stacks spitting out his food. The movie, unlike most critics, never forgets it’s for kids.

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How Critics Got the New ‘Annie’ Wrong

28 Pieces From 2014 That Should Be Required Reading For Women

In the social media age, sometimes it feels like the relevance of a single story lasts about as long as it takes to tweet about it. It can feel like a sensory overload, a near-constant “on to the next!” But once in a while you read a piece that seeps into your core, and sticks with you even months down the road. For the third year in a row, we’ve curated a list of pieces that stood out to us over the last calendar year. To make the list, an article had to be (1) published in 2014, (2) written by a woman and (3) be available online. (We also aimed to …

required reading

In the social media age, sometimes it feels like the relevance of a single story lasts about as long as it takes to tweet about it. It can feel like a sensory overload, a near-constant “on to the next!” But once in a while you read a piece that seeps into your core, and sticks with you even months down the road.

For the third year in a row, we’ve curated a list of pieces that stood out to us over the last calendar year. To make the list, an article had to be (1) published in 2014, (2) written by a woman and (3) be available online. (We also aimed to include a diversity of voices and publications, but we couldn’t bring ourselves to cut any of the three Roxane Gay pieces we ended up including. All hail the year of the Bad Feminist.)

Of course an end-of-year list can’t possibly encapsulate all of the incredible writing by and about women from 2014, but each piece we put on ours felt special in some way. The writing we ended up including moved us, informed us and made us think a little harder this year. We hope you’ll read through, and be inspired to do the same.

“Jennifer Lawrence And The History Of Cool Girls”
Anne Helen Petersen, BuzzFeed
Gillian Flynn may have been the one to coin the term Cool Girl — capital C, capital G — but Petersen was the first to pull Flynn’s meta-commentary out of Gone Girl‘s universe and (oh-so-eloquently) point out just how relevant it is to ours. “It’s the way our society implicitly instructs young women on how to be awesome,” writes Petersen. “Be chill and don’t be a downer, act like a dude but look like a supermodel.” Jennifer Lawrence’s public persona may be the latest iteration of unattainable Cool Girl, but there has perhaps always been a Cool Girl looming large, reminding us just how narrow — and treacherous — the path is to becoming her.

“I Don’t Care If You Like It”
Rebecca Traister, The New Republic
It might seem like a stretch to connect an absurd Esquire piece, a John Legend song, Amy Poehler, the story of South Carolina mother Debra Harrell’s arrest and Hillary Clinton’s bitchy resting face, but Traister does just that — and does it damn well. The end product is a masterful analysis of why gender-based power inequalities still matter in the United States, despite the surface-level progress we’ve made. “I wish it were different,” Traister writes. “I wish that every woman whose actions and worth are parsed and restricted, congratulated and condemned in this country might just once get to wheel around … and go black in the eyes and say, ‘I don’t fucking care if you like it.'”

“Our Stories”
Roxane Gay, The Toast
In an incredibly searing piece, Gay ruminates on rape and sexual assault narratives, and what women who talk about their past traumas open themselves up to. “I believe in the importance of sharing histories of violence. I am reticent to share my own history of violence,” she wrote — and then shared that harrowing history anyway. Gay explicitly states in the essay that she doesn’t want “pity or appreciation or advice” for telling her story. What we can offer her in return for this testimony is respect.

“My Nude Photos Were Stolen, And I’m Fighting Back”
Gabrielle Union, Cosmopolitan
After Union’s private photographs were stolen in a hack targeting female celebrities, the actress wrote an essay for Cosmopolitan about how the hack changed her life — and compelled her to speak out. She explained in no uncertain terms that the stolen images weren’t a “career boost” or a publicity stunt, but a form of abuse: “When billions of people on the Internet can see you naked without your consent, it’s a crime.”

“My Year As An Abortion Doula”
Alex Ronan, New York Magazine
Ronan, who supports women undergoing abortions through the Doula Project, shares some of her experiences from the past year. Her detailed account beautifully humanizes the fight for reproductive rights, and the women who exercise their right to choose. Namely, she writes, “The reality of abortion isn’t as tidy as the divide surrounding it.”

“My Feminist Awakening & The Influence Of Beyoncé’s Pop Culture Declaration”
Janet Mock, JanetMock.com
“On that VMAs Sunday, I watched Beyoncé journey from Destiny’s Child to solo star, from Single Lady to wife and mother, from Independent Woman to feminist cultural icon,” Mock writes. If you don’t think it matters when celebrities publicly embrace feminism, read this piece and allow yourself to reconsider.

“Why I Spoke Out About One Rape And Stayed Silent About Another”
Susan J. Brison, Time
“One was the best kind of rape, as far as my credibility as a victim was concerned. The other was the worst.” Brison’s incredible essay on why she reported being beaten and raped by a stranger, but stayed silent when someone she knew raped her, explains why it’s so hard for many women to come forward after they have been attacked. “Those who have been raped know that if they speak out, they will be blamed for not doing whatever it is people imagine would have prevented they from being raped,” Brison writes. Her essay is a reminder that the best thing we can do for survivors of sexual assault is believe them.

“Nobody Wants To Be The Girl On A Diet”
Lauren Bans, New York Magazine
Bans outlines a deeply uncomfortable truth: We want women to be conventionally beautiful and thin, but there are few labels more undesirable than “the girl who watches what she eats.” And unless you are a Kate Upton-in-a-Carl’s-Jr-commercial unicorn, Bans points out that it’s impossible to win. “Rather, we choose,” she writes. “If dropping 15 pounds means canceling all future dinner dates, developing fake sudden-onset allergies to alcohol and gluten, and buying a food scale, I choose 15 pounds.”

“Why Women Aren’t Welcome On The Internet”
Amanda Hess, Pacific Standard
Facing the constant threat of online harassment is something that any woman who writes words on the Internet understands all too well. But no one articulated quite how complicated it is to define, contain and police those threats until Hess did.

“While Writing For ‘Orange Is The New Black’ I Realized I Am Gay”
Lauren Morelli, Mic
While millions of viewers connected to the characters on Netflix’s hit “Orange Is The New Black,” for Morelli, making them come alive on paper created a shift in her own self-understanding. “In Piper and Alex, I’d found a mouthpiece for my own desires and a glimmer of what my future could look like,” she writes. Her honest reflection on the messiness of female sexuality — and the possibility of rediscovering yourself even when you’re sure you’ve settled down — is both touching and deeply important.

“What Ferguson Means For Black Women”
Chaedria Labouvier, Elle
“It is these facts and this history that black women have to face when rearing our boys,” writes Labouvier. “They can be killed, at any time and we are not to expect justice.” Read those two sentences again. Then read Labouvier’s entire gut-wrenching essay. Then get off your couch and do something about it.

“Why Didn’t You Just Leave?”
Melissa Jeltsen, HuffPost Women
“Why didn’t you just leave?” is an ignorant question that gets thrown at many survivors of intimate partner violence. Jeltsen helped six women use their own voices to explain exactly why it’s never that simple. We recommend reading (and listening) to all six stories. Each stands on its own, but together, they paint an even more powerful picture.

“The Power Of 29: An Ode To Being Almost 30”
Ann Friedman, New York Magazine
“It was around age 29 that the number of fucks I gave about other people’s opinions dipped to critically low levels.” Friedman’s words are sure to help women of any age give a few less fucks.

“I’m Having An Abortion This Weekend”
Jenny Kutner, Salon
We had read stories from women reflecting on their abortions weeks, months and years later. But Kutner articulates the mish-mash of emotions that a woman might face before undergoing the procedure, even when she is beyond sure of her decision. “I don’t know what comes next, how or if this will change who I am,” Kutner writes. “Maybe it will, maybe it won’t. I can’t know that now. It isn’t Saturday yet.”

“The Marriage Plot”
Roxane Gay, New York Times
Leave it to Gay to take a topic as seemingly unimportant as “The Bachelor” franchise, and make a point so beautiful and compelling that we had to include this essay on our list. She perfectly underscores why so many women (and men) find themselves tuning into the dating reality series week after week despite their better judgment: We are ultimately hopeful creatures who want to find love. “The real shame of ‘The Bachelor’ and ‘The Bachelorette,’ of the absurd theater of romantic comedies, of the sweeping passion of romance novels, is that they know where we are most tender, and they aim right for that place,” writes Gay. Amen.

“I’m 41, Single And Pregnant. Welcome To The New Normal”
Rachel Sklar, The Li.st on Medium
“I know how it looks: at 41, single and pregnant, I’m a sad, lonely outlier,” writes Sklar. “But it’s 2014. I’m not.” Sklar perfectly reminds us that the old adage “first comes love, then comes marriage, then comes the baby in the baby carriage” has never been more obsolete.

“Find Your Beach”
Zadie Smith, The New York Review Of Books
If you’ve ever lived in Manhattan, been to Manhattan or dreamed of Manhattan, Smith’s gorgeous essay is a must-read. Taylor Swift may have welcomed us all to New York this year, but Smith manages to distill the true beauty and pain of the city that never sleeps.

“Bill Cosby Drugged Me. This Is My Story.”
Beverly Johnson, Vanity Fair
2014 was the year when Bill Cosby stopped being able to ignore the many women who claim he drugged and assaulted them. There were more than 15 brave women who came forward to share their stories in the last few months, but Johnson’s first-person account in Vanity Fair was particularly chilling. She describes an encounter with Cosby where she claims to have been drugged by the comedian in the 1980s, narrowly escaping assault by yelling, “You are a motherfucker aren’t you?,” at him. She also outlines why she stayed silent for years (his power, the fact that he was a well-respected man of color in a world that rarely respects men of color), and why she finally decided to speak up: “I couldn’t sit back and watch the other women be vilified and shamed for something I knew was true.”

“No, I Will Not Take the Men’s Rights Movement Seriously”
Lindy West, Jezebel
Engaging with those who disagree with you can be an incredibly productive endeavor, but when those people are often intellectually dishonest and hateful, sometimes it’s best to just say “no.” West’s clear-headed rebuttal to MRA bullshit is exactly what we needed this year. “We still have a long way to go, especially in the widespread thinking about masculinity and gender roles (again, a feminist issue!),” writes West, “but drenching this conversation in misogynist hate is nothing but a hindrance and a masturbatory distraction.” Preach.

“Thick. Fat. Good.”
Nichole Perkins, The Toast
We can easily spend our lives yearning to be thicker or thinner or better, shutting our best qualities away from the world for fear of rejection. Perkins’ heart-wrenching piece explores the feeling of being constantly at war with your body — and what happens when you decide to declare a détente. “Now I look at myself in the mirror, hoping that if I had three wishes, I would use them to keep the voices out of my head that tell me I’m not enough,” writes Perkins.

“Marriage Is an Abduction”
Elif Batuman, The New Yorker
There were many excellent thinkpieces written about Gillian Flynn’s gripping thriller Gone Girl and David Fincher’s film adaptation, but Batuman’s is the smartest we’ve seen. Batuman reads Flynn’s story as dark cultural commentary on the deeply flawed institution of heterosexual marriage, one that casts wives as “people who disappear,” and creates expectations that hurt both the men and women who cannot live up to them.

“Abortion: Not Easy, Not Sorry”
Laurie Abraham, Elle
“I want to tell a different story, the more common yet strangely hidden one, which is that I don’t feel guilty and tortured about my abortion,” writes Abraham. “Or rather, my abortions. There, I said it.” This one’s a long read, but well worth it.

“What Happened When We Gave Our Daughter My Last Name”
Molly Caro May, The Hairpin
When May and her husband decided that their daughter would take her last name instead of his, they didn’t expect the “shockwave” of reactions they would receive from their supposedly open-minded communities. This confirmed to May that, “Surnames are one of the unseen limbs of the old world. Giving a child the father’s last name is still a given. And that given preserves the man’s place of power, from the Supreme Court on down to the everyday Joe.”

“If, Like Renee Zellweger, You’re Female And Have A Face And Body, Listen Up”
Jennifer Weiner, New York Times
“What would happen if more women — famous and unfamous — eschewed liposuction, shunned tanning beds and swapped the occasional run on the treadmill for a march on City Hall?,” asks Weiner, hitting back at those people who ridicule women just for existing in bodies that age. “The world might split open even more deeply — and that could be a beautiful thing.”

“Extra Straight Talk For Single Ladies On Valentine’s Day”
Alexandra Petri, Washington Post
Single women of America, this is the real, cold, hard truth you’ve been needing to hear all these years. Eat your heart out, Susan Patton.

“I Have Feared White Men And I Have Loved Them”
Roxane Gay, New Statesman
“I have known white men.” With this definitive statement, Gay opens one of the most powerful essays about race, love and the intersection between the two, that we’ve ever read. A deep understanding of the danger that institutional racism poses to people of color does not preclude Gay’s ability to love white men, and fear them, and love them some more. Reflecting on her most recent love, Gay writes: “He would show me how he loved my skin, how he loved me as more than my skin. He showed me how to love him as more than his skin.”

“Getting To No”
Susan Dominus, New York Times
Consent should not be complicated. But as Dominus outlines, using her own story of sexual assault during college, some women (and men) struggle to find the right words to articulate their discomfort with a sexual situation. Dominus’ story is one of textbook sexual assault — she said no, he didn’t listen — but she still makes a compelling case that we need to expand our vocabulary for the benefit of everyone. “I never felt I was a victim,” she writes. “Looking back, I was an English major for whom language failed at a moment when I needed it most.”

“Sisters, Ranked”
Jazmine Hughes, The Hairpin
“I’ll admit it: 2014 is the first year I ever truly loved my sisters,” writes Hughes. There are few relationships more complicated, fraught and beautiful than those between siblings. It is not always easy to love, or even like your siblings, but when you do, it’s like nothing else.

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28 Pieces From 2014 That Should Be Required Reading For Women

Why Shonda Rhimes’ Shows Give Me Hope For The Entertainment Industry

“I don’t think that we have to have a discussion about race when you’re watching a black woman who is having an affair with the white president of the United States,” says Shonda Rhimes, creator of Grey’s Anatomy, Scandal, and executive producer of How To Get Away With Murder. “The discussion is right in front of your face.” I have to admit a secret: I didn’t watch the first episode of How to Get Away With Murder, Shonda Rhimes’ newest TV show. But it doesn’t really matter, because 14 million people did. While we’re on the subject of how many people watched premieres of her shows: 12 million people tuned in for the season four premiere of Scandal, and Grey’s Anatomy got…

“I don’t think that we have to have a discussion about race when you’re watching a black woman who is having an affair with the white president of the United States,” says Shonda Rhimes, creator of Grey’s Anatomy, Scandal, and executive producer of How To Get Away With Murder. “The discussion is right in front of your face.”

I have to admit a secret: I didn’t watch the first episode of How to Get Away With Murder, Shonda Rhimes’ newest TV show. But it doesn’t really matter, because 14 million people did. While we’re on the subject of how many people watched premieres of her shows: 12 million people tuned in for the season four premiere of Scandal, and Grey’s Anatomy got 9.8 million views.

I wasn’t exactly sure why it made me so happy, but I’ve come to a conclusion: it gives me hope for the future of the entertainment industry.

It’s not like it’s a big secret that the lead actresses on two of these shows are black women. Her shows are like a smorgasbord of different people: gay, black, white, Asian… I could probably go on.

But the best part isn’t that all of these different types of people are included in these shows. It’s that their differences aren’t harped on, over and over again.

There are always those movies and TV shows where minority characters are constantly reminding viewers that they’re the minority. You can point out the token black character minutes before he’s killed off. You know which character is gay because of his flamboyant attire and attitude. Asian characters are barely there, but when they are, they’re computer geeks of some sort. Math whizzes, nerds in general.

It’s like they think that we’ll forget that not everyone is straight and Caucasian. They expect it to be a shock to our systems, something they need to gently introduce us to, as if the real world doesn’t have more than one type of person.

I think that’s lazy storytelling.

When Shonda Rhimes does it, it’s different. It’s a million times better. She shows instead of telling.

Cyrus’ entire storyline doesn’t revolve around the fact that he’s gay because we see his husband. We also see that he has a demanding job, between babysitting the president and dealing with his own problems.

No one talks about Cristina Yang’s ethnicity on the show because she shows it for herself. It isn’t explicitly said that a black lead can carry a show, because Viola Davis and Kerry Washington are proving it.

Olivia Pope doesn’t constantly walk around telling people that she’s a black woman. Everyone can see it. They can also see that she has work to do. There are messes to clean up, a White House to save and associates to worry about.

It makes the stories more realistic. In real life, people don’t really tend to explicitly state what makes them different every minute of their existence.

I think that’s why people are so drawn to her stories. Sure, the plots spin widely out of control within a matter of a few episodes. Of course we feel like we’ve bonded with the characters and become part of their friendships. And yeah, we fall into relationships as quickly as the characters do, and we want to scream at the television screen because we know that some people should or shouldn’t be together.

It’s because her characters are realistic.

We know that there are brilliant women who could run the world like Olivia Pope and Meredith Grey. We know that there are crazy talented lawyers like Annalise Keating, and students like Michaela Pratt. It’s just that we’re not used to seeing them.

Now that they’re here — real people on real shows — we just can’t get enough.

I’m hoping that the rest of the industry learns from Ms. Rhimes’ example.

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Why Shonda Rhimes’ Shows Give Me Hope For The Entertainment Industry

Pat Lynch, You Will Not Wage ‘War’ on Our Communities!

The horrific murder of two New York City police officers and the attempted murder an innocent woman over the weekend has challenged our collective humanity. There are not enough prayers and condolences we can send to the family of the fallen and the injured, so the best we can do is keep putting them in our thoughts and prayers for as long as they need us. While many are hurt, including me, by the terrible actions this weekend, we must not make the mistake of dismissing those who have been hurting for a long time. There is no pause button on grief. There is no pause button on sorrow. There is no pause button on repairing one’s soul. …

The horrific murder of two New York City police officers and the attempted murder an innocent woman over the weekend has challenged our collective humanity. There are not enough prayers and condolences we can send to the family of the fallen and the injured, so the best we can do is keep putting them in our thoughts and prayers for as long as they need us. While many are hurt, including me, by the terrible actions this weekend, we must not make the mistake of dismissing those who have been hurting for a long time. There is no pause button on grief. There is no pause button on sorrow. There is no pause button on repairing one’s soul. This isn’t about politics or protests. This is about compassion and respecting everyone’s individual healing process, including those of the families of Officer Liu and Officer Ramos.

Sadly, it has become apparent that there are some so-called leaders who are abusing this moment to further grab power within their base. Clearly, one of them is the president of the police union, Pat Lynch. As I have listened to the rhetoric and vicious divisive comments made by this man over the past few weeks, I have done everything to hold back. But, after this weekend, I have no choice to address him directly. Pat, there is no “war” that will be waged upon our communities by your, I mean OUR officers, there is no blood on anyone’s hands except those of the killer, and there is no demonizing hundreds of thousands of people who have peacefully exercised their first amendment right marching in the streets for an end to violence. It is disappointing to witness how disrespectful Pat Lynch has been to Mayor de Blasio for trying to reform a department in much need of transformation, yet he was SILENT when the leader of his police department was far more direct in his criticism.

On Thursday, October 2, 2014, NYPD Commissioner Bill Bratton challenged his officers to take a hard look at their department when he spoke before them at the police academy in College Points, Queens:

“My intention going forward is to ensure that we will aggressively seek to get those out of the department who should not be here — the brutal, the corrupt, the racist, the incompetent.” He went on to say, “The reality is at this moment that there’s some in the organization who shouldn’t be here — not the right fit for the NYPD of 2014. There are a few, a very few, in a very large organization who just don’t get it.” Later in his remarks, the Commissioner emphasized that the department has no place for any officer “who’s so callous, so brutal, so corrupt that they feel comfortable engaging in those acts of brutality, acts of corruption without fear.”

Although I disagree with Commissioner Bratton on some his policies, this is a place where the two of us are in complete agreement. Neither Commissioner Bratton nor Mayor de Blasio nor I are anti-police. It is nonsensical to even suggest that. In fact, as I have said emphatically in the past, I encourage young people who come from communities like the one I grew up in to become police officers. We need them. However, like Commissioner Bratton and Mayor de Blasio, I am anti-police brutality, anti-police corruption and anti-racist. And I am certainly a strong believer that the police cannot be policed by those they work with everyday, the local county district attorney’s office. We will no longer live in a city where the police can police themselves. This is not the American ideal. Accountability is coming, whether you like it or not, Pat. That is at the essence of the protests, the foremost pressing reform issue in our criminal justice system, and one we will fix, because the people are demanding it. New York City will lead this nation in creating a 21st century police department that puts the community first.

I pray for unity in the city, as pain runs deep in many communities. But, we will no longer tolerate those, like Pat Lynch, who want to create more pain by attempting to divide the people and those who have taken an oath to protect and serve them.

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Pat Lynch, You Will Not Wage ‘War’ on Our Communities!

Let Love Arise

From protest to brutal killings, this is not what Dr. Martin Luther King Jr. had in mind. The tragedy of two New York City cops losing their lives makes me question, “Where is the love?” Senseless crimes are destroying families and taking innocent lives, yet today we live in a society where many are hungry for change, but fail to realize we must first become the change we desire to see. “Man must evolve for all human conflict a method which rejects revenge, aggression and retaliation. The foundation of such a method is love.” – Dr. Martin Luther King Jr. It’s time that we pause and begin praying for our country, put prayer back in our schools, and support our community in its efforts to bring …

From protest to brutal killings, this is not what Dr. Martin Luther King Jr. had in mind. The tragedy of two New York City cops losing their lives makes me question, “Where is the love?” Senseless crimes are destroying families and taking innocent lives, yet today we live in a society where many are hungry for change, but fail to realize we must first become the change we desire to see.

“Man must evolve for all human conflict a method which rejects revenge, aggression and retaliation. The foundation of such a method is love.” – Dr. Martin Luther King Jr.

It’s time that we pause and begin praying for our country, put prayer back in our schools, and support our community in its efforts to bring forth change. There are those that honestly want to protect and serve in our communities across the country and there are still many among us that fail to respect those in authority. I believe that not everyone is put in positions of power to serve honestly. Many choose positions of power because at some point or another they felt powerless. All cops aren’t “pigs” and desire to bring change. Cops have families and each and every day many now fear they may never see their families again.

There are things cops see in the streets that they can’t talk to their loved ones about which means they internalize a lot and therefore depression and other issues arise. They are just as human as you and I.

Police across the country need a strong support system from community activist and those they protect and serve every day. We all must show solidarity and come together to build strong communities for our families.

Many cops fail to say they need support for the issues they face because it may appear as a sign of weakness (pride) or that it may result in the loss of their jobs. Not only are they fighting a war in our streets, but for many they still have to go home and be a support to their families. Recently, someone lost a son, a brother, a husband, a father and a provider to someone that failed to become the change that’s needed. What we need is love and together we can make this world a better place. We must pray for our men and that they don’t allow their pride to destroy them.

“When pride and presumption walk before, shame and loss follow very closely.”
– Louis XI

With all that is going on in the media it’s not easy to keep your children from seeing it on the local news, radio, etc. Teach your children to respect those in authority and to walk in peace and love. Explain to them the reasons behind the protest and why it is so important that each and everyone is treated equally.

As we gather together for the Christmas Holiday remember the fallen officers that lost their lives and also those that have yet to see justice in the case of Eric Garner, Michael Brown and others we’ve seen and have not seen in the media. Let your love arise and may we continue to protest for change, peace and that all are treated equally. “All Lives Matter” and the violence against our brothers and sisters must cease.

“Darkness cannot drive out darkness: only light can do that. Hate cannot drive out hate: only love can do that.” -Dr. Martin Luther King, Jr.

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Let Love Arise