Invisible Children, Group Behind ‘Kony 2012,’ Closing Because Of Funding Issues

Invisible Children, the group that emerged with an unprecedented bang with its viral “Kony 2012” film, announced its closure on Monday in a quiet statement bereft of its signature bells and whistles. The advocacy organization, which was established in 2004 to raise awareness about central African warlord Joseph Kony, was initially met with explosive fanfare, but then suffered a public relations nightmare from which it never fully recovered. Citing funding issues, the group said it will shutter its San Diego flagship office by the end of the year to focus on its efforts in central Africa. And it’s asking donors to help raise $150,000 to keep its leaner team in business. “We won’t be visiting your school in vans, and we won’t be…

Invisible Children, the group that emerged with an unprecedented bang with its viral “Kony 2012” film, announced its closure on Monday in a quiet statement bereft of its signature bells and whistles.

The advocacy organization, which was established in 2004 to raise awareness about central African warlord Joseph Kony, was initially met with explosive fanfare, but then suffered a public relations nightmare from which it never fully recovered. Citing funding issues, the group said it will shutter its San Diego flagship office by the end of the year to focus on its efforts in central Africa.

And it’s asking donors to help raise $150,000 to keep its leaner team in business.

“We won’t be visiting your school in vans, and we won’t be making new videos or selling T-shirts. We won’t be hosting major awareness events, benefit concerts or grassroots fundraisers,” Invisible Children said in a statement. “We’re firing ourselves, but we’re not quitting.”

The group is shutting down its mass awareness efforts, reducing its U.S. staff from 22 employees to five remote workers, according to BuzzFeed, and the crux of the group’s domestic work will take place on Capitol Hill.

Invisible Children is handing off ownership of its Ugandan programs and offices to regional partners where the focus will be on helping captives and protecting communities targeted by the Lord’s Resistance Army (LRA).

The group’s humble exit is a far cry from the media frenzy that defined its debut.

Two years ago, the group’s 30-minute documentary about Kony’s horrific war crimes and abuse of child soldiers garnered more than 100 million views in six days, making it the most viral video in history. The group collected $5 million within 48 hours, according to BuzzFeed.

It also got a number of celebrity backers on board, which included a $2 million donation from the Oprah Winfrey Foundation.

But just as quickly as it generated those views and funds, it accrued an indefensible amount of critics, scandals and money woes.

While young advocates were energized by the call to feasibly topple Kony, experienced academics slammed the group for oversimplifying the complex 30-year-old conflict and for making the warlord a household name far too late.

invisible children rally
Activists attend Invisible Children’s ‘The Rescue’ Rally at Santa Monica City Hall on April 25, 2009 in Santa Monica, California.

Fueling the controversy was co-founder Jason Russell’s public breakdown, which inevitably marred the group’s credibility.

And the organization also took major flak for its spending practices.

Watchdog Charity Navigator awarded it only two stars for accountability and transparency. But it actually got four out of a possible four stars for its financial health, because it spent 80 percent of its budget on programs and services.

While an admirable portion of its spending went towards “programs and services,” critics excoriated those very services for not directly helping Africans in need.

For example, the group — which reported $13.8 million in revenues in 2011 — spent $850,000 that year on production costs. That included T-shirts, DVDs and bracelets. The more than $1 million in travel and transportation expenses also accounted for 3,000 free film screenings, the Associated Press reported.

But the organization never denied that it only spent about one-third of its budget on directly helping LRA-affected areas.

kony 2012
A box full to the brim with KONY 2012 campaign posters are shown Thursday March 8, 2012 at the Invisible Children Movement offices in San Diego.

Still, critics couldn’t forgive the nonprofit for its funding choices.

Campaigns that focus on bracelets and social media absorb resources that could go toward more effective advocacy,” Amanda Taub and Kate Cronin-Furman wrote in the Atlantic.

As the criticism mounted, the organization’s funding plummeted.

By mid-2012, Invisible Children had nearly $26.5 million in revenue and $17 million in net assets, BuzzFeed reported in March.

But by the following year, it had just $4.9 million in revenue and less than $6.6 million in assets.

The number of employees in San Diego plunged from 65 to 29. In Africa, the number of staffers dropped from 130 to 108.

But according to the group’s final remarks, staffers weren’t just sitting by watching the organization hemorrhage money the past few years.

It helped pass two bills in Congress and rebuild 11 Ugandan schools. It also saw a 92 percent reduction in LRA killings in the last three years and 1.8 million displaced people returned to their communities.

While the group made some key progress in its mission, it never could escape the fact that supporters fundamentally disagreed with it predominantly serving as an awareness group.

Ironically enough, Charity Navigator had no qualms with the organization’s mission and forewarned donors during the height of the hype in 2012 to improve the way they evaluate nonprofits.

“We see donors make this mistake time and time again. For example, how often do you say yes to supporting a charity with ‘cancer/diabetes’ … in its name thinking its primary efforts are to fund research to cure cancer/diabetes … and so on? But if you take a few minutes to look at the charity’s programs, then you might be surprised to see the group’s main efforts are awareness/advocacy … The moral of the story is that if you want your money to go to research, then you need to take just a few minutes to ensure that’s what your selected charity actually does.”

Before it takes its final bow, Invisible Children is asking donors to help raise $150,000 for its “Finishing Fund” so that it can support its handful of U.S. workers and programs in Africa. Find out more about the initiative here and make sure, as always, to do your homework before lending your support.

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Invisible Children, Group Behind ‘Kony 2012,’ Closing Because Of Funding Issues

‘Selma’ Star David Oyelowo Says A ‘Sea Change’ Is Brewing For Black Films In Hollywood

Though David Oyelowo’s star turn as Martin Luther King Jr. in “Selma” is winning him rave reviews and awards consideration, he’s one of the few black actors in such a position leading up to what could become “the whitest Oscars” in years. But Oyelowo has hope that things are changing, he told HuffPost Live’s Marc Lamont Hill on Tuesday: To be perfectly honest, I think not up until recently has Hollywood come around to the idea and the acceptance that there is an audience out there for black protagonists at the center of their own narratives in big films of this nature. I think in the past, films dealing with a historical subject matter, …

Though David Oyelowo’s star turn as Martin Luther King Jr. in “Selma” is winning him rave reviews and awards consideration, he’s one of the few black actors in such a position leading up to what could become “the whitest Oscars” in years. But Oyelowo has hope that things are changing, he told HuffPost Live’s Marc Lamont Hill on Tuesday:

To be perfectly honest, I think not up until recently has Hollywood come around to the idea and the acceptance that there is an audience out there for black protagonists at the center of their own narratives in big films of this nature. I think in the past, films dealing with a historical subject matter, felt a need to have a white character in order to lure the audience in. I think “Selma” was a big beneficiary of “The Butler” and “12 Years A Slave” doing so well last year, and I just feel like there’s a sea change at hand.

Watch Oyelowo’s full HuffPost Live conversation here.

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‘Selma’ Star David Oyelowo Says A ‘Sea Change’ Is Brewing For Black Films In Hollywood

Watch The First Promo For ‘The Nightly Show With Larry Wilmore’

Stephen Colbert is leaving some pretty big shoes to fill in the coveted post-“Daily Show” timeslot, but Larry Wilmore is ready to mix things up. First called “The Minority Report,” “The Nightly Show With Larry Wilmore” will bring a bit more diversity to the late night landscape, and extra “Nightly-ness,” whatever that means. Wilmore, a “Daily Show” correspondent himself, is creating the show alongside former “Daily Show” Executive Producer and comedian Rory Albanese, who shared the show’s official logo on Instagram today as well: Check out our official logo. #NightlyShow premieres Jan. 19th at 11:30pm on @comedycentral. Een foto die …

Stephen Colbert is leaving some pretty big shoes to fill in the coveted post-“Daily Show” timeslot, but Larry Wilmore is ready to mix things up.

First called “The Minority Report,” “The Nightly Show With Larry Wilmore” will bring a bit more diversity to the late night landscape, and extra “Nightly-ness,” whatever that means.

Wilmore, a “Daily Show” correspondent himself, is creating the show alongside former “Daily Show” Executive Producer and comedian Rory Albanese, who shared the show’s official logo on Instagram today as well:

Check out our official logo. #NightlyShow premieres Jan. 19th at 11:30pm on @comedycentral.

Een foto die is geplaatst door Rory Albanese (@roryalbanese) op

Watch Wilmore introduce himself to a diner full of slightly confused patrons in the first promo for the show above.

“The Nightly Show With Larry Wilmore” premieres Jan. 19 at 11:30 p.m. ET/PT on Comedy Central”

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Watch The First Promo For ‘The Nightly Show With Larry Wilmore’

Wanted: African American Leadership

We waited. Trayvon Martin. Mike Brown. Eric Garner. Nothing. Each grand jury’s decision is acerbic. Our collective conscious repeats the same tortuous dance. Unarmed black man … (Step 2, 3, 4) Jury selection begins today … (Back 2, 3, 4) The DOJ will conduct an investigation in the death of … (And dip) Meanwhile, during this routine of catharsis, we march. And still we wait. As countless numbers of people around the country took to the streets, staged protests, “die-ins,” blocked traffic and expressed their frustration via social media and blogospheres the question remains: What’s next? The dearth of coordination among decision makers in the African American community is appalling. Everyday news outlets play musical chairs with the same popular figures…

We waited.

Trayvon Martin.

Mike Brown.

Eric Garner.

Nothing.

Each grand jury’s decision is acerbic.

Our collective conscious repeats the same tortuous dance.

Unarmed black man … (Step 2, 3, 4)

Jury selection begins today … (Back 2, 3, 4)

The DOJ will conduct an investigation in the death of … (And dip)

Meanwhile, during this routine of catharsis, we march.

And still we wait.

As countless numbers of people around the country took to the streets, staged protests, “die-ins,” blocked traffic and expressed their frustration via social media and blogospheres the question remains: What’s next?

The dearth of coordination among decision makers in the African American community is appalling.

Everyday news outlets play musical chairs with the same popular figures that claim to speak on our behalf. But is regurgitating outrage the solution?

If that’s the case then my barber is a certified civil rights leader.

I have listened to countless discussions about the efficacy of protests, and still I maintain that marching without a plan is an exercise in calisthenics not activism.

Successful movements of social change have always had at least three characteristics present:

1. Cohesion among leadership

2. Clear strategies that target specific solutions

3. Activism outweighing apathy

Remove one attribute and no sustainable change has ever occurred. Period.

The momentum behind the public outcry for justice and change is more tangible now then my generation has ever experienced. Considering the force garnered (no pun intended) by recent events, direction is crucial now more than ever.

Power without direction is not just parochial but dangerous.

Consider the most muscular specimen winding up for a vicious blow.

Without the proper technique, not only will his/her efforts yield little to no results, but the possibility of inflicting self-harm increases dramatically.

And this is what we see occurring in the African American communities with the absence of leadership.

Take the hopelessness of poverty and poor education mixed with indignation, stir that thoroughly and it makes for one hell of a powder keg.

To condemn the actions of a people without providing the context of where that chaos derives is oblique and uniformed.

(Side Note: Every time Charles Barkley opens his mouth, I hear Dave Chapelle screaming “Where is Jah??!?”)

If the NAACP, National Urban League, Congressional Black Caucus, National Action Network and the countless other organizations can’t identify and agree on a platform and capitalize on this social inertia then they aren’t worthy of the recognition we so heavily endow them with.

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Wanted: African American Leadership

When Love is Too Much But Not Enough

Sometimes a person walks into your life and, in a moment, shows you more about yourself than you ever could have imagined. I woke-up, looked over, and there Marie was, sleeping next to me. The only thing new about waking up next to her this time was that I was, now, her man. So much had happened to get us to that point; so much would occur between us thereafter–a rushing together and falling apart, all in a manner of, seemingly, moments. Several years went by since I’d last seen Marie (see a prior post, here). One evening, …

Sometimes a person walks into your life and, in a moment, shows you more about yourself than you ever could have imagined.

I woke-up, looked over, and there Marie was, sleeping next to me. The only thing new about waking up next to her this time was that I was, now, her man. So much had happened to get us to that point; so much would occur between us thereafter–a rushing together and falling apart, all in a manner of, seemingly, moments.

Several years went by since I’d last seen Marie (see a prior post, here). One evening, while in Cincinnati, I realized that I was only an hour away from Lexington, Kentucky. I decided to text Marie to see if she was okay with me coming to see a restaurant she designed for a friend of hers, and she was. I invited some friends out for dinner, and to my surprise, Marie decided to show. It was a pleasant evening, despite Marie’s avoidance of me much of the night. I could tell she was nervous, like almost every time we had interacted.

About ten o’clock, all of my guests parted ways, with me and Marie left behind to begin the process of, after all those years, sorting-out “us.” She apologized for not reaching out sooner when my mother died, noting how awkward and erratic she often felt in interacting with, only, me. I wasn’t offended; I understood the basics of us: I loved her. She liked me. But she didn’t know how to make the leap to us being together.

Over the next several months, leading up to our relationship and precipitating its demise, two themes emerged. One was that I was the antithesis of everything she had come to understand and find normative about men. Most of her relationships were passing and casual with no deep commitments. Other than that, she had few real relationships–all of which had been defined by chronic infidelity, emotional abuse and distance. None was more poignant than her marriage to a guy who most people I knew described as a sociopath and narcissist.

The other theme was that she was afraid of me. She noted that she repeatedly did and said things to hurt me over the years, hoping I would give up on her and walk away. Ironically, she admitted to never saying such things to the men who were the most abusive to her. As she once articulated, her mind was so filled with fear and doubt that she could never see me for who I was. The more sincere I was, the more I wanted her, the more fearful she became, and the more she ran and put up walls.

Marie wanted a man who was emotionally intelligent and who could love and commit to her. But the thought of reaching for that, stretching beyond what she knew and was accustomed to, frightened her. She finally decided to give it a try, promising never to run from me again. She sent pictures of engagement rings, asked how I wanted our wedding to go, moving to North Carolina or some city we’d mutually decide on, and children. I was surprised that she was trying to get her mind wrapped around, not only being with me for life, but also giving up the life she had grown accustomed to after her divorce.

Finally, I asked Marie if she was ready to be loved the way that I loved her. She smiled and nodded. I think she wanted to be ready, but based on her experience she had no framework for understanding love. During our time together she oscillated from understanding how much I loved her to being confused by it to coming to grips with what true love looked like to believing I couldn’t understand her so I couldn’t love her.

Marie was used to being defined as the “the baddest b!@$&”–pretty but silent–an ornament on some man’s arm, her value defined by her aesthetics and how it made her partners look. She was genuinely surprised the first time she realized that her value to me had little to do with physical beauty and everything to do with her mind and her spirit. When I told her that I wanted her as my partner, my equal, the concept was truly novel to her.

We had something beautiful while it lasted, but it was too much for Marie to handle at that juncture in her life. Ultimately, the past would be prologue. She would say everything she thought needed to hurt me, to cause me to walk away, and if I didn’t, she would see to it that I was walled off from her world.

I was too different. In the end, when she left, I realized that I was what a man, certainly a black man, shouldn’t admit to being–afraid. I wasn’t afraid to lose Marie. It wasn’t the right time for us. I was prepared to wait for her but was afraid that there would never be a right time–so afraid that for the first time in my life I was depressed suffered from panic attacks–far from indifferent, what Marie knew a man to be.

I made my mistakes in our relationship. Maybe I loved her too much, and I spent a lot of time trying to understand someone who, in some ways, was quite guarded and didn’t want to be fully understood. To her, it probably seemed like prying. To me, I hoped to embody the Buddhist conception of love as understanding, at least seeing Marie from her vantage-point.

Ironically, Marie showed me my own anxieties and fears around commitment and marriage, shedding baggage and losing my own sense of self in an effort to be with someone else. Maybe for the first time, I could fully see the place where women who loved me had once stood in my own life. In many ways, Marie was one of the best things that happened to me, because she helped me see me in meaningful and profound ways.

*Real names have been changed to protect identities.

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When Love is Too Much But Not Enough

Race In Film: ‘Criminality From People Of Color Is Viewed As Inherent’

Over the years, some of America’s most beloved movies have focused on narratives that draw distinctions between “good guys” vs. “bad guys.” But when delving deeper, many of these differences also deal with the diversity, or lack thereof, of these characters and the race of the actors who play them. In a HuffPost Live roundtable Tuesday, host Ricky Camilleri and four guests debated Hollywood’s race problem, specifically that of the unfair standard of how black and white criminals are depicted differently in film. “You can take this all the way back to ‘Breakfast at Tiffany’s,'” Ya’Ke Smith, a film professor at the University of Texas, said. “Which is a…

Over the years, some of America’s most beloved movies have focused on narratives that draw distinctions between “good guys” vs. “bad guys.” But when delving deeper, many of these differences also deal with the diversity, or lack thereof, of these characters and the race of the actors who play them.

In a HuffPost Live roundtable Tuesday, host Ricky Camilleri and four guests debated Hollywood’s race problem, specifically that of the unfair standard of how black and white criminals are depicted differently in film.

“You can take this all the way back to ‘Breakfast at Tiffany’s,'” Ya’Ke Smith, a film professor at the University of Texas, said. “Which is a classic. But you have a gigolo, sort of a prostitute…you have all these characters working against the law, doing criminal things. If those were African-American characters, this tale would be very different.”

The same could be said of almost universally loved movies like “Superbad” and the “Ocean’s Eleven” series. Part of this can be explained with the influence of stereotypes while some say indifference also plays a factor.

“Every writer, every creative person, every artist is always fighting against stereotypes,” Gregory Howard, a screenwriter of the award-winning film “Remember the Titans,” told HuffPost. “What you have in Hollywood is unfortunately artistic laziness. People sit on their asses and just [say] ‘Well, I’m not going to put the effort in to find some humanity in Ray Brown. Ray Brown is a crackhead and a criminal, and there he is.'”

Watch the rest of the clip above, and catch the full HuffPost Live conversation here.

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Race In Film: ‘Criminality From People Of Color Is Viewed As Inherent’

NFL Player Emotionally Explains Why He Won’t Apologize To Police After His ‘Call For Justice’

Cleveland Browns wide receiver Andrew Hawkins won’t apologize for wearing a T-shirt calling for justice for two unarmed black men killed by police officers in Ohio in 2014. And he delivered an impassioned explanation on why he shouldn’t have to. “I was taught that justice is a right that every American should have,” Hawkins said on Monday, getting emotional as he addressed reporters for several minutes without notes. “Also justice should be the goal of every American. I think that’s what makes this country special. To me, justice means the innocent should be found innocent. It means that those who do wrong should get…

Cleveland Browns wide receiver Andrew Hawkins won’t apologize for wearing a T-shirt calling for justice for two unarmed black men killed by police officers in Ohio in 2014. And he delivered an impassioned explanation on why he shouldn’t have to.

“I was taught that justice is a right that every American should have,” Hawkins said on Monday, getting emotional as he addressed reporters for several minutes without notes. “Also justice should be the goal of every American. I think that’s what makes this country special. To me, justice means the innocent should be found innocent. It means that those who do wrong should get their due punishment. Ultimately, it means fair treatment. So a call for justice shouldn’t offend or disrespect anybody. A call for justice shouldn’t warrant an apology.”

Hawkins, 28, took the field for the Browns’ game against the Cincinnati Bengals on Sunday in Cleveland wearing a shirt emblazoned with the message “Justice for Tamir Rice and John Crawford III” on the front and “The Real Battle for Ohio” on the back. Rice, 12, was fatally shot by Cleveland police in November while carrying a pellet gun. Crawford, 22, was shot and killed by police in August while holding an air rifle in a Walmart in Beavercreek, Ohio. Hawkins’ awareness-raising gesture came with professional and college athletes across the country making similar statements related to the police killings of Eric Garner and Michael Brown.

Cleveland Patrolmen’s Association President Jeffrey Follmer criticized Hawkins in a statement released on Sunday.

“It’s pretty pathetic when athletes think they know the law,” Follmer said. “They should stick to what they know best on the field. The Cleveland Police protect and serve the Browns stadium and the Browns organization owes us an apology.”

The Browns refused to apologize, issuing a statement that both backed Hawkins and expressed support for police.

“We have great respect for the Cleveland Police Department and the work that they do to protect and serve our city,” the Browns said in a statement, via Cleveland.com. “We also respect our players’ rights to project their support and bring awareness to issues that are important to them if done so in a responsible manner.”

In his own comments on Monday, Hawkins also made clear that he was not taking a stand against all police officers.

“To clarify, I utterly respect and appreciate every police officer that protects and serves all of us with honesty, integrity and the right way,” Hawkins said. “And I don’t think those kind of officers should be offended by what I did. My mom taught me my entire life to respect law enforcement. I have family, close friends who are incredible police officers and I tell them all the time how they are much braver than me for it. So my wearing a T-shirt wasn’t a stance against every police officer or every police department. My wearing the T-shirt was a stance against wrong individuals doing the wrong thing for the wrong reasons to innocent people.”

In perhaps the most poignant moment of his monologue, Hawkins revealed the very personal reason that he choose to take a stand with his T-shirt even though he was aware that he would likely face backlash.

“As you well know, and it’s well documented, I have a 2-year-old little boy,” Hawkins said. “The same 2-year-old little boy that everyone said was cute when I jokingly threw him out of the house earlier this year. That little boy is my entire world. And the No. 1 reason for me wearing the T-shirt was the thought of what happened to Tamir Rice happening to my little Austin scares the living hell out of me. And my heart was broken for the parents of Tamir and John Crawford knowing they had to live that nightmare of a reality. So, like I said, I made the conscious decision to wear the T-shirt. I felt my heart was in the right place. I’m at peace with it.”

Hawkins’ poignant commentary did not sway Follmer.

“It’s not a call for justice, they were justified,” Follmer said during an interview on MSNBC Monday evening after Hawkins’ remarks. “Cleveland police officers work with the Cleveland Browns hand-in-hand, and when he disrespects two of our police officers, he disrespects everybody else.”

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NFL Player Emotionally Explains Why He Won’t Apologize To Police After His ‘Call For Justice’

Stand! with Black Messiah

Buried amid the acknowledgments of his 2013 memoir, Questlove, of the Roots, wrote “D: I pray this album comes out before my twentieth book.” His sentiments echoed the feelings of a great swath of music fans. Those words marked 13 years since D’Angelo released his sophomore studio effort, Voodoo. His first, Brown Sugar, was a great R&B album, but what was released in January 2000 was, and remains, a masterpiece. An artist who had released one of the most memorable videos amid the height of the MTV-era had seemingly disappeared. Unusual hardly describes it. Over the last decade-plus the news was sporadic. For every negative news story (or mugshot) there were fans ready to spread the legend. Don’t worry, D was simply in seclusion becoming …

Buried amid the acknowledgments of his 2013 memoir, Questlove, of the Roots, wrote “D: I pray this album comes out before my twentieth book.” His sentiments echoed the feelings of a great swath of music fans. Those words marked 13 years since D’Angelo released his sophomore studio effort, Voodoo. His first, Brown Sugar, was a great R&B album, but what was released in January 2000 was, and remains, a masterpiece.

An artist who had released one of the most memorable videos amid the height of the MTV-era had seemingly disappeared. Unusual hardly describes it. Over the last decade-plus the news was sporadic. For every negative news story (or mugshot) there were fans ready to spread the legend. Don’t worry, D was simply in seclusion becoming a guitar virtuoso.

Questlove is not only a close creative partner, but also the undisputed number one D’Angelo fan. So when he promised that the follow-up to Voodoo would be released in 2014, you wanted to believe him. But were these the words of the guy who was in the studio, or just another admirer who refused to give up hope? There were reasons to believe — public appearances and concert tour dates opening for Mary J. Blige and a smattering of other shows. But just as the reasonable person spends a limited amount of time questioning the existence of intelligent lifeforms on other planets, one cannot and should not worry about the Voodoo follow-up. It’s waste of time.

Until now.

A 15-second video posted Thursday, went viral Friday. A link to a listening party on Sunday, in New York, went live. Traced back to official channels, there was a reason to believe. On Sunday, we had our first song: “Sugah Daddy.” The song’s strength is not in its free-flowing bordering of stream of consciousness lyrics. For the uninitiated, it may appeal as a tight upbeat R&B track with a clear funk lineage. For those who have been slogging out the last 14 D’Angelo-less years, the unique level of tightness in the instrumentation and vocal arrangement is for what we have been waiting. Think of it more as five minute announcement: I still got it.

Midnight strikes. It’s December 15. The wait is over.

A distant siren-like sound, a thick bass line, a soulful chorus — Black Messiah begins. We pick up where we left off.

The album as whole is a distinctly D’Angelo update on a sound we already knew ran through his veins. In 1969, building on their previous accomplishments, Sly and the Family Stone’s Stand! opened the door to what a politically and socially aware album could be. An honest reflection and amplification of a unified group of people did not have to be limited to a march or the church — it could soundtrack a party. If “Till It’s Done (Tutu)” could have found its way on to Stand! then “The Charade” would most likely have been on Sly’s 1971, There’s a Riot Going On — an unwavering message delivered through a woozy haze. “All we wanted was a chance to talk / ‘stead we’ve only got outlined in chalk.” There’s a Riot Going On showed that the political and the personal were not mutually exclusive. One could wrestle with the demons who roam our minds and the evil forces who oppress and repress our neighbors on the same record.

Black Messiah is a marriage of those two albums and concepts — a demonstration of what emerges when one further explores the similarities of our internal and external struggles.

Even on the light and relatively upbeat tracks “Really Love” and “Betray My Heart,” tender language is used as much to affirm the object of D’Angelo’s affection, as much as the words are needed to fortify and self-affirm.

At other points, there isn’t much room to move. “1,000 Deaths” updates the unsettling and effectively and aggressively off-kilter groove of Funkadelic’s, America Eats Its Young. Not surprisingly, Kendra Foster, of current incarnations of Parliament, and D’Angelo’s touring band, appears in the writing credits of Black Messiah.

Black Messiah is a hell of a name for an album,” begins the introduction handed to those in attendance at Sunday’s listening party. Without surprise, an album that will forever be tied to its release date, D’Angelo writes first that the title is about “all of us,” before getting specific. “It’s about people rising up in Ferguson and in Egypt and in Occupy Wall Street and in every place where community has had enough and decides to make change happen.”

The diversity of sound on Black Messiah is representative of our reasons to assemble. There is a voice and a feeling — anger, discomfort, paranoia, joy, love, uncertainty — on the album for every united population from New York to Cairo to Hong Kong, and back.

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Stand! with Black Messiah

Model Chloe Goins Says Bill Cosby Drugged Her And Licked Her Toes In 2008

Another woman has come forward with claims against Bill Cosby. Chloe Goins, a 24-year-old model and dancer, told The Daily Mail that she attended a party with a friend at Hugh Hefner’s Playboy Mansion in Los Angeles in 2008, when she was 18 years old. Goins says that Cosby drugged and then led her into a bedroom where she later woke up, completely naked and in a daze, to find the comedian masturbating while licking and biting her toes. In the last six months, more than 20 women have come forward accusing Cosby of sexually assaulting them over the course of five decades. However, Goins’ accusation against Cosby is the first that …

Another woman has come forward with claims against Bill Cosby.

Chloe Goins, a 24-year-old model and dancer, told The Daily Mail that she attended a party with a friend at Hugh Hefner’s Playboy Mansion in Los Angeles in 2008, when she was 18 years old. Goins says that Cosby drugged and then led her into a bedroom where she later woke up, completely naked and in a daze, to find the comedian masturbating while licking and biting her toes.

In the last six months, more than 20 women have come forward accusing Cosby of sexually assaulting them over the course of five decades. However, Goins’ accusation against Cosby is the first that could fall within the statue of limitations for criminal charges. Goins’ lawyer told The Daily Mail that Goins wants justice for Cosby’s actions against her and the other women who have spoken out, and is planning to press charges soon.

Goins stressed to The Daily Mail that she doesn’t believe she was “raped or molested,” but she did feel “very violated and humiliated.”

As Gawker’s Gabrielle Bluestone pointed out, the statute of limitations changes depending on the charge:

Although California allows prosecutors ten years to file rape charges, the lesser offense of sexual battery has a six-year statute of limitations, which might have already run. Goins, who has not yet filed a police report, said through her attorney that she plans to meet with LAPD detectives to give a statement this week.

The Huffington Post reached out to Cosby’s attorney for comment on Goins’ claims, but had not received a response at the time of publication.

According to Goins, Hefner — a longtime friend of Cosby who has recently distanced himself from the comedian — introduced Goins and her friend to Cosby once they arrived at the party.

Goins says that she and her friend were talking to Cosby and he seemed, “like a really nice guy, really funny.” During their conversation, Cosby allegedly left and came back with drinks. “I wasn’t really supposed to drink because of my age but I was like, ‘O.K., cool’,” Goins told The Daily Mail. “I thought I’d got a drink on the side. I remember the drink being kind of strong but it didn’t taste funny or anything like that… Someone spiked my drink, I have no doubt about that, it was my first drink of the night.”

After a few minutes, she says “everything kind of went a little foggy, I started feeling sick to my stomach, and just dizzy.” Goins claims Hefner noticed she looked sick and offered her a bedroom to lie down in. She says Cosby then offered to show her to the room.

Goins told The Daily Mail the next thing she remembers is waking up completely naked on a bed. “I was butt naked lying on my back on a bed and didn’t have any idea where I was,” she said. “I came to and remember seeing this big man crouched over me. It was Bill Cosby and he was at my feet, kind of licking and kissing them and I think he bit my toe as that’s what woke me up. I kind of thank God for that because that’s what woke me up and I came to.”

Once Cosby realized Goins was awake, she says he jumped up, pulled up his pants and left the room immediately. She believes Cosby had been groping her body and licking her breasts. “I remember waking up and feeling moist all over, like he had been licking all over me. He wasn’t on my breasts when I woke, but I could feel, you know, the saliva on them and that he’d been licking on me,” she told The Daily Mail.

“Bill Cosby was on TV and had a family man image, I thought to hurt that, he would come after me, try to ruin me,” she said. “This isn’t something I really wanted out there about myself, but I saw all the women who had come forward, over 20 women and it grossed me out. I feel he needs to pay for it, he deserves to pay for it.”

Head over to The Daily Mail to read Goins’ entire story.

Below is the list of women who have come forward with allegations about Cosby, dated to the time that the allegations were made public.

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Model Chloe Goins Says Bill Cosby Drugged Her And Licked Her Toes In 2008

Bill Cosby’s Daughter Evin Releases Statement About Sexual Assault Allegations

Bill Cosby’s youngest daughter, Evin Cosby, is speaking out about the mounting allegations of sexual assault against her father. On Tuesday, the 38-year-old released a brief statement to Access Hollywood: He is the FATHER you thought you knew. The Cosby Show was my today’s tv reality show. Thank you. That’s all I would like to say :). A woman claiming to be Evin has also been actively posting about the allegations on her Facebook page. “Rape is a serious allegation and it is suppose to be taken VERY seriously but so is Falsely accusing someone. When someone rapes a person they go to prison,” she wrote Monday. “THAT should also happen to the person that has wrongfully…

Bill Cosby’s youngest daughter, Evin Cosby, is speaking out about the mounting allegations of sexual assault against her father.

On Tuesday, the 38-year-old released a brief statement to Access Hollywood:

He is the FATHER you thought you knew. The Cosby Show was my today’s tv reality show. Thank you. That’s all I would like to say :).

A woman claiming to be Evin has also been actively posting about the allegations on her Facebook page.

“Rape is a serious allegation and it is suppose to be taken VERY seriously but so is Falsely accusing someone. When someone rapes a person they go to prison,” she wrote Monday. “THAT should also happen to the person that has wrongfully accused an innocent victim. They are not ONLY destroying innocent people’s life they are ALSO making it hard for the MEN and Women to find justice when they have been raped.”

Cosby’s wife of 50 years, Camille, released a statement to CBS News on Monday, claiming her husband is not the person the media has painted him as in light of the recent accusations. Camille went on to compare the claims against her husband to a recent Rolling Stone article that detailed an alleged gang rape at the University of Virginia, for which the publication has since issued an apology to its readers citing what it called “discrepancies” in the victim’s account.

To date, more than 20 women have made allegations against “The Cosby Show” star, and the statements of support from Cosby’s family come after the actor told a reporter he only expects the “black media to uphold the standards of excellence in journalism,” urging the media to approach the allegations with a “neutral mind.”

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Bill Cosby’s Daughter Evin Releases Statement About Sexual Assault Allegations